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Project Japan: Metabolism Talks..., by Rem Koolhaas, Hans Ulrich Obrist
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Back to the future: Visionary architecture in postwar Japan � “Once there was a nation that went to war, but after they conquered a continent their own country was destroyed by atom bombs... then the victors imposed democracy on the vanquished. For a group of apprentice architects, artists, and designers, led by a visionary, the dire situation of their country was not an obstacle but an inspiration to plan and think… although they were very different characters, the architects worked closely together to realize their dreams, staunchly supported by a super-creative bureaucracy and an activist state... after 15 years of incubation, they surprised the world with a new architecture—Metabolism—that proposed a radical makeover of the entire land... Then newspapers, magazines, and TV turned the architects into heroes: thinkers and doers, thoroughly modern men… Through sheer hard work, discipline, and the integration of all forms of creativity, their country, Japan, became a shining example... when the oil crisis initiated the end of the West, the architects of Japan spread out over the world to define the contours of a post-Western aesthetic....” —Rem Koolhaas / Hans Ulrich Obrist
Between 2005 and 2011, architect Rem Koolhaas and curator Hans Ulrich Obrist interviewed the surviving members of Metabolism—the first non-western avant-garde, launched in Tokyo in 1960, in the midst of Japan’s postwar miracle. Project Japan features hundreds of never-before-seen images—master plans from Manchuria to Tokyo, intimate snapshots of the Metabolists at work and play, architectural models, magazine excerpts, and astonishing sci-fi urban visions—telling the 20th century history of Japan through its architecture, from the tabula rasa of a colonized Manchuria in the 1930s to a devastated Japan after the war, the establishment of Metabolism at the 1960 World Design Conference in Tokoy, to the rise of Kisho Kurokawa as the first celebrity architect, to the apotheosis of Metabolism at Expo ’70 in Osaka and its expansion into the Middle East and Africa in the 1970s. The result is a vivid documentary of the last moment when architecture was a public rather than a private affair.
- Oral history by Rem Koolhaas and Hans Ulrich Obrist
- Extensive interviews with Arata Isozaki, Toshiko Kato, Kiyonori Kikutake, Noboru Kawazoe, Fumihiko Maki, Kisho Kurokawa, Kenji Ekuan, Atsushi Shimokobe, and Takako and Noritaka Tange
- Hundreds of never-before-seen images, architectural models, and magazine excerpts
- Layout by award-winning Dutch designer Irma Boom
- Sales Rank: #89846 in Books
- Published on: 2011-10-28
- Original language: English
- Number of items: 1
- Dimensions: 9.30" h x 1.67" w x 6.94" l, 3.15 pounds
- Binding: Paperback
- 684 pages
About the Author
Rem Koolhaas is a co-founder of the Office for Metropolitan Architecture. Having worked as a journalist and script writer before becoming an architect, in 1978 he published Delirious New York. In 1995, his book S,M,L,XL summarized the work of OMA and established connections of contemporary society and architecture. Amongst many international awards and exhibitions he received the Pritzker Prize (2000) and the Praemium Imperiale (2003).
Hans Ulrich Obrist is the co-director of exhibitions and programmes and director of international projects at the Serpentine Gallery in London.
Most helpful customer reviews
10 of 12 people found the following review helpful.
A neccessary book for the blas� sons and daughters of the architectural noughties
By nomadic architect
A great collected history of a truly radical movement caught into, and trying to steer,a rapidly changing society.
This book is neccessary for architects right now: The thorough archiving and indexing of an avant-garde movement reminds us that architects once fearlessly and courageously embraced the transformational qualities of architecture. It really makes you lament the absence of such a strong contemporary agenda to react to-I can't imagine all those pritzker prize winners actually consolidating their respective intelligence into a cohesive idea like the metabolists did.
It's a massive and dense volume though-I havent been able to finish it yet. It is very well illustrated and is bound to provide inspiration, almost too dense to go through all at once.
6 of 7 people found the following review helpful.
a thorough beauty
By anonymous
an incredible, ambitious collection of all things metabolist- materials from every possible source from friends, lovers ti colleagues from the past and present. a great handbook for aspiring and practicing architects to see how one generation succeeded in an architecture/ media/ policy/ masterplanning mash up that still holds as one of the most legendary group efforts to this day.
3 of 3 people found the following review helpful.
Long Overdue
By James Ferguson
The Metabolist movement in Japan seemed consigned to the dustbin of history until resurrected in this amply illustrated book that gives the movement a greater width and breadth. Not surprising to see Rem Koolhaas behind the project, as his work owes a substantial debt to this movement. More importantly, Koolhaas provides wonderful interviews and insights on its leading proponents, including the dapper Kisho Kurokawa, who gave us such novel projects as the Nagakin Capsule Tower, downsizing units to less than 10 square meters (100 square feet).
Of course, a movement like this could have only been spawned in Japan, which was looking for new ways to deal with the post-war housing shortage. Kenzo Tange was the godfather of the movement, and would have a major impact on international architectural design. The movement also gave us Arata Isozaki and Fumihiko Maki, among other leading architects. While the designs looked very futuristic at the time, they were based on traditional planning principles. I would have liked to see a bigger format like Taschen has done on other topics, but the wealth of material will reward those interested in Metabolism.
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